
Chris Onstad is a Stanford graduate who fell into his online comic strip quite by accident, having started his road to conventionalism with a job as a graphic designer, but during down time at work he began to scribble and the scribbles eventually became the popular cult comic strip Achewood.
I finished a page of 10 of my first strips and put it online around 2 a.m., September 11, 2001. So as you can imagine, six or seven hours later no one was going to read my comic strip because that was the day the World Trade Center fell. It was a pretty inauspicious beginning.
Two or three weeks later, we published the site and I publicized it on The Comics Journal, went to different comics community message boards and took out an ad here and there. I didn't try very hard to push it because at that point I wasn't trying to make a career of Achewood.
I started the comic online since there's no way to print unless you're picked up by somebody, and there's no way to be picked up by somebody if you've only got three comic strips in your portfolio. I see print as an enormous barrier of entry to artists who would otherwise make great work. I wasn't making great work at first, but I was able to publish online because it was free and easy. Now I've been able to create stuff that people really like, whereas otherwise, I would have been discouraged and quit five years ago.
What I hope happens every day that I'm supposed to write a strip, is that when I'm out on a walk or driving, I'll see something that will trigger a funny phrase or image in my head. The best strips are written in three minutes. If I can get it all to come together, I can make a great, funny one-off strip, but oftentimes I'm embroiled in a longer story arc. I'll have to sit down and work on it for five or six hours, and that's laborious writing. I like the strips that happen the fastest. For the 18 seconds it takes someone to read it, I've probably put nine hours into it.
If I don't have any ideas for a strip, I'll tap around in Microsoft Word for a while and cast around for old ideas I've jotted down. Once I've got about 90 per cent of a strip written, I'll go to Adobe Illustrator, which is the program I use to draw it, and I'll block the action out frame by frame. I'll find character illustrations in other strips that mimic what I want, like gestures or outfits I need, and copy those in and adjust them to fit the strip. That whole process takes another few hours. Then there are the bubbles and background shading.
The fact that it takes so long is why I'm never ahead. Newspaper cartoonists are usually about a month ahead. The curse of publishing on the Internet is that you don't really have to do anything ahead of schedule. You just post the comic; there's no one else you have to go through. So I've never really been more than a day or two ahead of the strip.
I think in Achewood you'll find the characters represent general personality archetypes fairly well. You could probably say the characters in Achewood are built around six people I know. I enjoy writing Ray, Roast Beef and Teodor the most, because they're the largest aspects of my own personality.
The popularity of Achewood is mostly underground. I've got a small readership, and here and there I find people with the same mindset. It's really not mass appealing; it's still basically undiscovered. People who like it consider it their own undiscovered thing, and that makes them feel cool about it.
The interesting thing about the way the Internet has shaped up is that I don't need to have an enormous Achewood collection in Barnes and Noble to be a success. On the Internet, I can monetize in so many different ways. We have a shop where you can buy books, T-shirts, accessories, paintings, etc. There's close to 100 different items that we sell.
I would certainly like to see myself branching out into other media and also with other projects. Today I was working on a screenplay. I would also love to write novels. Play music. I'm not just going to cartoon. I like to do too many other things.
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Comments
Chris as you said, you're considering a live-action Achewood. This is exciting not just because we'll see how the characters move a little more, but also because the characers (assumably) will have voices. Have you had voices for Ray, Beef et al. since back in the day, or are you still undecided about what they sound like? Any voice actors/actresses in mind?
Hey, I feel that this might have been thought about by you or people by you... but in my opinion Achewood would be amazing if it were to branch out to animation.
Networks like Adult Swim come to mind. I don't know if you think you are ready/willing for that kind of venture, but I have faith that a large and sufficient number of fans online would certainly be supportive of it. What is your opinion?
Edit: As the above comment, I feel the greatest challenge/aspect of such a project that would bring the most focus would be voices/acting and to 'get it right' would be of the most concern.
Chris - if you weren't doing this career - like if for some reason the Internet crashed forever and ever - what do you think you'd do with your life to make money?
Chris:
I'm kinda scared to hear any voices given to Beef or Ray or any character for that matter. I mean, the voices I imagine they have are too perfect! My question is: are there any famous people that influenced your characters? Ray is a pretty rare type of guy.
Anyway, Achewood is the best comic I've ever read next to Calvin & Hobbes and the Far Side. Keep up the hard work, because people like myself look forward to it every day.
Chris Onstad's writes:
To Matt W: "Thanks for writing. I've had their voices in my head since they were conceived, but I wouldn't release that information prior to any sort of voice project because I'd rather it be a surprise. I can tell you that it won't be as disappointing as the cardboard-style Dilbert and Garfield animated project voice casting."
To Brett Celinski: "I've talked a bit about animation with a few studios, but haven't found the right project/format yet (the Adult Swim timeslot does come up the most often when people talk about animation and Achewood). Anyhow, I'm not worried about getting it right in terms of sound and feel, because I've known how it all sounds and feels for a long time, and have always wanted to flesh it out in a richer medium."
To Robyn Williams: "Probably write for TV and do scriptwriting on the side. I was originally going to try this, but I left college while the Silicon Valley bubble was still growing, and got caught up in the low-hanging local fruit scene. By the time the bubble burst, I had a decent lifestyle, plus I had this comic going, and I wasn't interested in starting over as a PA grunt in Hollywood."
First I just wanted to thank Chris so much for making Achewood... it is a real treat and inspiration to a true retarded like me and also others.
Secondly, I wanted to know if Cartilage Head will ever make a comeback, I think that he would probably be the easiest to cast as a voice because I think everyone imagines him to sound like Bela Lugosi but I guess that poses a challenge in itself since he is dead. Oh well.
p.s. I love the codeine-influenced strips! Keep it up! Have you ever experimented with anything else and done a strip?
Hey, I feel that this might have been thought about by you or people by you... but in my opinion Achewood would be amazing if it were to branch out to animation.
Speaking of dreams involving writing, I also had a dream recently in which I was doing automatic writing! I was sitting at a table, and a page with hand-writing on one side was before me. I suddenly started writing in the margins, but I couldn't make out what I was writing, no matter how hard I tried to read it. Frustrated, I asked "what should I be doing?", and in answer I kept writing "more" in the margins, until the margins were covered in "more more more". I turned the page and the other side was blank.
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